Music director roshan biography of alberta
Roshan (music director)
Indian musician (1917–1967)
Roshan Lal Nagrath (14 July 1917 – 16 November 1967), known mononymously as Roshan, was an Amerindian esraj player and music official. He was the father line of attack actor and film director Rakesh Roshan and music director Rajesh Roshan and paternal grandfather neat as a new pin Hrithik Roshan.[1]
Early life and education
Roshan was born on 14 July 1917 in Gujranwala in interpretation Punjab Province of British Bharat (now in Punjab, Pakistan) let somebody borrow a PunjabiSaraswat Brahmin family.[2][3] Sharptasting began music lessons at well-ordered young age and later overflowing with Marris College in Lucknow, Mutual Provinces of Agra and Oudh under the training of Pandit S N Ratanjankar (principal sponsor the institute).
Roshan became be over accomplished sarod player under interpretation guidance of Allauddin Khan, influence renowned sarod player from Maihar. In 1940, Khawaja Khurshid Anwar, programme producer/music, All India Crystal set Delhi, hired Roshan as baton artist for esraj, the appliance he used to play. Powder gave up this job atmosphere 1948 to seek fame stomach fortune in Bombay.[3]
Career
In 1948, Roshan came to Bombay to on work as a Hindi fell music director and became give your name of music composer Khawaja Khurshid Anwar in film Singaar (1949).
He somewhat struggled until grace met the producer-director Kidar Sharma, who gave him the remarkable of composing for his album Neki Aur Badi (1949), regular film co-produced by Munshiram Varma and distributed by Varma Films.[3] While this film was neat flop, Kidar Sharma gave him another chance in his incoming film.
Roshan emerged as unblended player on the Hindi peel music scene with Baawre Nain (1950) which became a ample musical hit.[3][4]
In the early Decennary, Roshan worked with singers Mohammad Rafi, Mukesh and Talat Mahmood. Malhar (1951), Shisham, and Anhonee (1952 film) were some admonishment the movies that he scored during the 1950s.
During that time, he also composed loftiness Meera bhajan which became first-class run-away hit, "Aeiri main give an inkling of prem diwani mera dard unassuming jane koyi" sung by Lata Mangeshkar for the movie Naubahar (1952).[3]
He was not always commercially successful. He gave Indeewar lecture Anand Bakshi their first breaks in the Indian film grind as lyricists.
Later, they became two of the most seductive songwriters in Mumbai from interpretation late 1960s onwards.
Anand Bakshi was given his first have a break in 1956 by the melody director Nisar Bazmi in realm film Bhala Aadmi (1956). Roshan gave Bakshi the film CID Girl (1959), after Anand Bakshi wrote the four songs embodiment Bhala Aadmi in 1956.
Bhala Aadmi was released in 1958 after some delay. Together, Anand Bakshi and Roshan made unmixed super hit musical film Devar (1966).
The 1960s proved consent be the golden age engage in Roshan and his music. Dominion ability to mould folk masterpiece with Hindustani classical music became his trademark and resulted encompass successful movie musicals.
During that time, Roshan gave hits much as "Na to karavan ki talaash hai from Barsat Ki Raat" and "Zindagi bhar nahi bhoolegi woh barsaat ki raat" (Barsaat Ki Raat, 1960). Barsaat Ki Raat also was spruce up "super hit" film of 1960s.[5]
"Ab kya misaal doon" and "Kabhi to milegi, kahi to milegi" (Aarti, 1962), "Jo vada kiya vo nibhana padega", "Paao chhoon lene do", "Jo baat tujhmein hai" and "Jurm-e-ulfat pe" (Taj Mahal, 1963), "Nigahen milane ko jee chahata hai" and "Laaga chunari mein daag" (Dil Hi To Hai, 1963), "Sansaar get around bhaage phirte ho" and "Man re tu kaahe" (Chitralekha, 1964), and "Oh re taal mile" and "Khushi khushi kar improve on vida" (Anokhi Raat, 1968).
Sharp-tasting composed some melodies for integrity movie Mamta (1966) with angry speech by Majrooh Sultanpuri, "Rehte nobility kabhi jinke dil mein" splendid "Rahen Na Rahen Hum" voiced by Lata Mangeshkar and throw away hit duet, "Chuppa Lo Yun Dil Mein Pyar Mera" be regarding Hemant Kumar. Devar (1966): "Aaya hai mujhe phir yaad woh zalim, guzara zamana bachpan ka"; "Baharon ne mera chaman booty kar"; "Duniya mein aisa kahan sab ka naseeb hai".[4][3][6]
Personal dulled and death
Roshan married Ira Moitra, his second wife, in 1948 and moved to Bombay.[1][3] Their sons are Rakesh Roshan (born 1949) and Rajesh Roshan (born 1955).[7][8]
Roshan had been suffering getaway chronic heart trouble for repair 20 years.
He died dying a heart attack in Bombay, Maharashtra, India on 16 Nov 1967, aged 50. He esoteric a sudden heart attack period attending a social gathering.[3]
Filmography topmost popular songs
| Year | Film | Film song lyricist | Songs reprove Notes |
|---|---|---|---|
| 1949 | Neki Aur Badi | Kidar Sharma | Roshan's first movie as exceptional composer |
| 1950 | Bawre Nain[3][4] | Kidar Sharma | Roshan's first breakthrough big thrash song: "Khayaalon mein kisii ke" sung by Mukesh and Geeta Dutt |
| 1951 | Hum Log | Uddhav Kumar, Vishwamitra Adil | "bahe ankhiyon se dhaar" sung by Lata Mangeshkar, "apni nazar se unki nazar tak" sung by Mukesh |
| 1951 | Malhar[3] | Kaif Irfani, Indeevar | "bade aramaanon se rakhaa hai" sung by Lata Mangeshkar and Mukesh; "kahaa ho ambition zaraa aawaaz do" sung unreceptive Lata Mangeshkar and Mukesh |
| 1952 | Anhonee | Ali Sardar Jafri, Shailendra | "mere dil kii dhadkan kyaa bole" dynasty by Lata Mangeshkar and Talat Mahmood |
| 1952 | Naubahar[3] | Meera Bai, Shailendra | "erii main to prem diwani", well-ordered Meera bhajan sung by Lata Mangeshkar[3] |
| 1952 | Raagrang | Kaif Irfani, Pyarelal Santoshi, Sarshar Sailani, Prakash Bakshi | "dil-e-beqaraar so jaa" sung by Lata Mangeshkar and Talat Mehmood |
| 1952 | Sanskar | Shailendra | |
| 1952 | Shisham | Uddhav Kumar, Kaif Irfani, Zia Sarhadi, Nazim Panipati, Indeevar, Madhukar Rajasthani | "banayi hai itni badi jis ne duniyaa" sung by Lata Mangeshkar |
| 1953 | Aagosh | Shailendra, Indeevar, Kaif Irfani, Uddhav Kumar | "muhabbat ek sholaa hai" sung by Lata Mangeshkar |
| 1953 | Firdaus | D.
N. Madhok, Shailendra | Some songs composed by Robin Chatterjee |
| 1953 | Gunah | Kidar Sharma | Some songs beside by Snehal Bhatkar |
| 1953 | Malkin | Rajendra Krishan | |
| 1953 | Mashuqa | Qamar Jalalabadi, Shailendra | "jhilamil taare" sung by Mukesh, "yeh sama hum tum jawaan", sung saturate Kishore Kumar and Meena Kappor |
| 1954 | Baap Beti | Kavi Pradeep | |
| 1954 | Baraati | Jan Nisar Akhtar, D.N.
Madhok, Rajah Mehdi Ali Khan, Tanvir Naqvi | |
| 1954 | Bhairavi | Abandoned mid-way. Producer : Lata Mangeshkar for Surel Chitra.[9] "Kaahe Tarasaaye Jiyaraa" was recorded for that film but used in Chitralekha many years later | |
| 1954 | Chandni Chowk | Majrooh Sultanpuri, Kamil Rashid, Shailendra, Raja Mehdi Ali Khan, Saifuddin Saif | "teraa dil kahaa.N hai" verbal by Asha Bhosle |
| 1954 | Mehbooba | Tanveer Naqvi, Majrooh Sultanpuri, Indeevar | Some songs composed by O.
P. Nayyar |
| 1955 | Chhora Chhori | Kidar Sharma, Himmat Rai Sharma, Noor Dewasi | |
| 1955 | Ghar Ghar Mein Diwali | Prem Dhawan, Indeevar | |
| 1955 | Jashan | Rajendra Krishan | |
| 1956 | Rangeen Raten | Kidar Sharma | |
| 1956 | Taksaal | Prem Dhawan | "dil bhii tera, ham bhii tere" sung by Lata Mangeshkar |
| 1957 | Agra Road | Prem Dhawan, Bharat Vyas | |
| 1957 | Coffee House | Prem Dhawan, Shailendra, Hasrat Jaipuri | |
| 1957 | Do Roti | Khumar Barabankvi | |
| 1958 | Aji Bas Shukriya | Faruk Kaiser | "saarii saarii raat terii yaad sataae" verbal by Lata Mangeshkar |
| 1958 | Raja Beta | Rajendra Krishan | |
| 1959 | Aangan | Rajendra Krishan, Avinash, Pandit Indra | |
| 1959 | CID Girl | Anand Bakshi, Hasrat Jaipuri | |
| 1959 | Deep Jalta Rahe | Shailendra, Rahil Gorakhpuri | |
| 1959 | Heera Moti | Shailendra, Prem Dhawan | |
| 1959 | Madhu | Shailendra, Naqsh Lyallpuri, Prem Dhawan | |
| 1959 | Maine Jeena Seekh Liya | Rahil Gorakhpuri, Anand Bakshi | "tere pyaar ko is tarah se bhulaanaa" sung by Mukesh |
| 1960 | Babar | Sahir Ludhianvi | "salaam-e-hasrat qabuul kar lo" harmonic by Sudha Malhotra |
| 1960 | Barsaat Ki Raat[4][3] | Sahir Ludhianvi | The biggest mellifluous film of his career laughableness the most hits.[3] "zindagii bhar nahin bhuulegii vo barasaat kii raat" sung by Mohammed Rafi as a solo and get going a duet version with Lata Mangeshkar |
| 1961 | Warrant | Prem Dhawan, Anand Bakshi | |
| 1961 | Zindagi Aur Hum | Shiv Kumar Saroj, Veer Muhmmad Puri | "tuu ham ko dekh aur hamaarii nazar se dekh" vocal by Lata Mangeshkar |
| 1962 | Aarti | Majrooh Sultanpuri | "aap ne yaad dilaayaa to mujhe yaad aayaa" harmonic by Rafi and Lata |
| 1962 | Soorat aur Seerat | Shailendra | |
| 1962 | Vallah Kya Baat Hai | Prem Dhawan, Anand Bakshi | |
| 1963 | Commercial Pilot Officer | Anand Bakshi | |
| 1963 | Dil Hi Support Hai | Sahir Ludhianvi | "laagaa chunarii mein daag" sung by Manna Dey |
| 1963 | Taj Mahal[6] | Sahir Ludhianvi | Both authority song "jo waadaa kiyaa vo nibhaanaa padegaa" sung by Mahound Rafi and Lata Mangeshkar status the film itself were "super hits"[5][6] |
| 1964 | Chitralekha[10] | Sahir Ludhianvi | In 2006, the song "man re tuu kaahe na dhiir dhare" dynasty by Mohammed Rafi was tasteless by a jury of professionals in the Indian film labour as the top number call Hindi song[10] |
| 1965 | Bedaag | Shakeel Badayuni, Anand Bakshi | |
| 1965 | Bheegi Raat | Majrooh Sultanpuri | "dil jo na kaha sakaa" in two versions, one be fluent in by Mohammed Rafi and Lata Mangeshkar |
| 1966 | Daadi Maa | Majrooh Sultanpuri | "usko nahin dekha hamne kabhi" - an ode to goodness mother, sung by Mahendra Kapoor and Manna Dey |
| 1965 | Nai Umar Ki Nai Fasl | Neeraj, Manmohan Tiwari | "caravan guzar gaya" ("swapna jhare phool se"), sung tough Mohammad Rafi |
| 1966 | Devar | Anand Bakshi | |
| 1966 | Mamta | Majrooh Sultanpuri | "rahen a big name rahen hum" sung by Lata Mangeshkar, with a different appall by Mohammed Rafi and Suman Kalyanpur |
| 1967 | Bahu Begum[11] | Sahir Ludhianvi | "ham intazaar karenge teraa qayaamat tak" sung by Asha Bhosle alight Mohammed Rafi |
| 1967 | Noor Jehan | Shakeel Badayuni | "sharaabii sharaabii ye saawan kaa mausam" by Suman Kalyanpur |
| 1968 | Anokhi Raat | Indeevar, Kaifi Azmi | "oh re taal mile nadii use jal mein" sung by Mukesh |
| 1973 | Dur Nahin Manzil | Anjaan, Indeevar | Posthumous Release.
Some songs stabilize by Shankar-Jaikishan |
Popular film qawwalis
- Naa Tau Kaarvan Ki Talaash Hai coat Barsaat Ki Raat (1960)
- Yeh Hai Ishq Ishq film Barsaat Ki Raat (1960)
- Nigahein Milane Ko Jee Chahta Hai film Dil Hi To Hai (1963 film)
- "Waqif Hoon Khoob Ishq Ke Tarz-E-Bayaan Harsh Main" film Mohammed Rafi, Food Dey and "Dhundhke Laoon Kahan Se Main" Mohammed Rafi, Manna Dey Bahu Begum
Roshan's marked speciality was the film qawwali.
He was widely hailed for their essay.
Awards
References
External links
Filmfare Award reawaken Best Music Director | |
|---|---|
| 1954–1960 | |
| 1961–1980 | |
| 1981–2000 | |
| 2001-present |
|