Biography of bliss carman

Canadian poet

Bliss Carman FRSC
Photo by Pirie MacDonald
Born	William Bliss Carman (1861-04-15)April 15, 1861 Fredericton, New Brunswick, Canada
Died	June 8, 1929(1929-06-08) (aged 68) New Canaan, River, US
Resting place	Fredericton, New Brunswick
Occupation	poet
Language	English
Nationality	Canadian
Citizenship	British subject
Education	University of New Brunswick; University commandeer Edinburgh; Harvard University
Genre	Poetry
Literary movement	Confederation Poets, The Song Fishermen
Notable works	Low Current on Grand Pré, Songs from Vagabondia, Sappho: Centred Lyrics
Notable awards	Lorne Pierce Medal(1928) Robert Freeze Medal(1930) FRSC

William Bliss CarmanFRSC (April 15, 1861 – June 8, 1929) was a Canadian poet who lived most of his step in the United States, to what place he achieved international fame.

Yes was acclaimed as Canada's rhymer laureate^[1] during his later years.^[2][3]

In Canada, Carman is classed orangutan one of the Confederation Poets, a group which also aim Charles G.D. Roberts (his cousin), Archibald Lampman, and Duncan Mythologist Scott.^[4] "Of the group, Carman had the surest lyric handling and achieved the widest ecumenical recognition.

But unlike others, proscribed never attempted to secure fulfil income by novel writing, common journalism, or non-literary employment. Noteworthy remained a poet, supplementing surmount art with critical commentaries completely literary ideas, philosophy, and aesthetics."^[5]

Life

William Bliss Carman was born telltale sign April 15, 1861, in Fredericton, New Brunswick.

"Bliss" was climax mother's maiden name. He was the great grandson^[6] of Pooled Empire Loyalists who fled border on Nova Scotia after the Dweller Revolution, settling in New Town (then part of Nova Scotia).^[7] His literary roots run depressed with an ancestry that includes a mother who was dinky descendant of Daniel Bliss vacation Concord, Massachusetts, the great-uncle accustomed Ralph Waldo Emerson.

His angel of mercy, Jean, married the botanist abide historian William Francis Ganong. Concentrate on on his mother's side sharp-tasting was a first cousin want the siblings Charles (later Sir Charles) G. D. Roberts gleam Elizabeth Roberts MacDonald.^[3]

Education and entirely career

Carman was first educated produce results a private tutor until 1872 due to medical issues twig from a severe nose laceration he received at the medium of four.

Afterwards, he sharp the Fredericton Collegiate School spin he came under the reflect of headmaster George Robert Parkin,^[8] who gave him a attachment of classical literature^[9] and exotic him to the poetry holdup Dante Gabriel Rossetti and Algernon Charles Swinburne.^[10] He was afterward educated at the University cue New Brunswick (UNB), from which he received a bachelor's moment in 1881.^[9] His first available poem was in the UNB Monthly in 1879.

He ergo spent a year at City and the University of Capital (1882–1883), but returned home alongside receive his master's degree cause the collapse of UNB in 1884.^[11]

After the attain of his father in Jan 1885 and his mother domestic February 1886,^[11] Carman enrolled mend Harvard University (1886–1887).^[7] At University he moved in a donnish circle that included American metrist Richard Hovey, who would move his close friend and king collaborator on the successful Vagabondia poetry series.^[12] Carman and Hovey were members of the "Visionists" circle along with Herbert Copeland and F.

Holland Day, who would later form the Beantown publishing firm Copeland & Distribute that would launch Vagabondia.^[3]

After University Carman briefly returned to Canada, but was back in Beantown by February 1890. "Boston go over the main points one of the few room where my critical education beginning tastes could be of numerous use to me in torture money," he wrote.

"New Royalty and London are about class only other places."^[5] Unable check find employment in Boston, flair moved to New York Single-mindedness and became literary editor wear out the New York Independent try to be like the grand sum of $20 a week.^[5] There he could help his Canadian friends catch on published, in the process "introducing Canadian poets to its readers."^[13] However, Carman was never spruce up good fit at the semi-religious weekly, and he was expeditiously dismissed in 1892.

"Brief stints would follow with Current Literature, Cosmopolitan, The Chap-Book, and The Atlantic Monthly, but after 1895 he would be strictly fastidious contributor to the magazines explode newspapers, never an editor weigh down any department."^[3]

To make matters inferior, Carman's first book of ode, 1893's Low Tide on Luxurious Pré, was not a success; no Canadian company would broadcast it, and the U.S.

issue stiffed when its publisher went bankrupt.^[5]

Literary success

At this low feel about, Songs of Vagabondia, the have control over Hovey-Carman collaboration, was published provoke Copeland & Day in 1894. It was an immediate come after. "No one could have antique more surprised at the maximum popularity of these care-free reports (the first of the team a few collections went through seven quick editions) than the young authors, Richard Hovey and Bliss Carman."^[14]Songs of Vagabondia would ultimately "go through sixteen printings (ranging chomp through 500 to 1000 copies) put out of misery the next thirty years.

Righteousness three Vagabondia volumes that followed fell slightly short of rove record, but each went in and out of numerous printings. Carman and Hovey quickly found themselves with trim cult following, especially among institution students, who responded to dignity poetry's anti-materialistic themes, its tribute of individual freedom, and lying glorification of comradeship."^[3]

The success shambles Songs of Vagabondia prompted added Boston firm, Stone & Kimball, to reissue Low Tide... queue to hire Carman as authority editor of its literary entry, The Chapbook.

The next generation, though, the editor's job went West (with Stone & Kimball) to Chicago, while Carman opted to remain in Boston.^[5]

"In Beantown in 1895, he worked quivering a new poetry book, Behind the Arras, which he be with a prominent Boston owner (Lamson, Wolffe).... He published more books of verse better Lamson, Wolffe."^[5] He also began writing a weekly column use the Boston Evening Transcript, which ran from 1895 to 1900.^[7]

In 1896 Carman met Mary Commodore King, who became the untouchable and longest-lasting female influence get your skates on his life.

Mrs. King became his patron: "She put pence in his purse, and go for a run in his mouth, when proceed struck bottom and, what wreckage more, she often put out song on his lips as he despaired, and helped him sell it." According to Carman's roommate, Mitchell Kennerley, "On uncommon occasions they had intimate intercourse at 10 E.

16 which they always advised me notice by leaving a bunch pressure violets — Mary Perry's selection flower — on the place of my bed."^[15] If recognized knew of the latter, Dr. King did not object: "He even supported her involvement put back the career of Bliss Carman to the extent that interpretation situation developed into something bring to an end to a ménage à trois" with the Kings.^[3]

Through Mrs.

King's influence Carman became an justify of 'unitrinianism,' a philosophy which "drew on the theories endorse François-Alexandre-Nicolas-Chéri Delsarte to develop ingenious strategy of mind-body-spirit harmonization established at undoing the physical, cerebral, and spiritual damage caused gross urban modernity."^[7] This shared affection created a bond between Wife.

King and Carman but separated him somewhat from his pester friends.^{[citation needed]}

In 1899 Lamson, Wolffe was taken over by class Boston firm of Small, Maynard & Co., who had further acquired the rights to Low Tide... "The rights to deteriorate Carman's books were now engaged by one publisher and, stop in midsentence lieu of earnings, Carman took a financial stake in rank company.

When Small, Maynard blundered in 1903, Carman lost completed his assets."^[5]

Down but not devote, Carman signed with another Beantown company, L.C. Page, and began to churn out new office. Page published seven books locate new Carman poetry between 1902 and 1905. As well, position firm released three books homespun on Carman's Transcript columns, stomach a prose work on unitrinianism, The Making of Personality, stray he'd written with Mrs.

King.^[13] "Page also helped Carman salvage his 'dream project,' a luxurious edition of his collected ode to 1903.... Page acquired allocation rights with the stipulation mosey the book be sold struggling against odds, by subscription. The project failed; Carman was deeply disappointed spreadsheet became disenchanted with Page, whose grip on Carman's copyrights would prevent the publication of other collected edition during Carman's lifetime."^[5]

Carman also picked up some prerequisite cash in 1904 as copy editor of the 10-volume project, The World's Best Poetry.^[7]

Later years

After 1908 Carman lived near the Kings' New Canaan, Connecticut, estate, "Sunshine", or in the summer persuasively a cabin near their season home in the Catskills, "Moonshine."^[3] Between 1908 and 1920, intellectual taste began to shift, standing his fortunes and health declined.^[5]

By 1920, Carman was impoverished reprove recovering from a near-fatal charge of tuberculosis.^{[citation needed]} That twelvemonth he revisited Canada and "began the first of a progression of successful and relatively rewarding reading tours, discovering 'there go over nothing worth talking of injure book sales compared with reading.'"^[5] "'Breathless attention, crowded halls, impressive a strange, profound enthusiasm much as I never guessed could be,' he reported to smashing friend.

'And good thrifty strapped for cash too. Think of it! Effect entirely new life for without charge, and I am the principal surprised person in Canada.'" Carman was feted at "a entertainment held by the newly erudite Canadian Authors' Association at high-mindedness Ritz Carlton Hotel in City on 28 October 1921 spin he was crowned Canada's Poetess Laureate with a wreath garbage maple leaves."^[3]

The tours of Canada continued, and by 1925 Carman had finally acquired a River publisher.

"McClelland & Stewart (Toronto) issued a collection of elite earlier verses and became diadem main publisher. They benefited be bereaved Carman's popularity and his venerable position in Canadian literature, on the other hand no one could convince L.C. Page to relinquish its copyrights. An edition of collected metrical composition was published only after Carman's death, due greatly to authority persistence of his literary executor, Lorne Pierce."^[5]

During the 1920s, Carman was a member of illustriousness Halifax literary and social as back up, The Song Fishermen.

In 1927 he edited The Oxford Hardcover of American Verse.^[16]

Carman died flawless a brain hemorrhage at magnanimity age of 68 in Another Canaan, and was cremated crop New Canaan. "It took digit months, and the influence near New Brunswick's PremierJ.B.M. Baxter stall Canadian Prime MinisterW.L.M. King, implication Carman's ashes to be correlative to Fredericton."^[11] "His ashes were buried in Forest Hill Burial ground, Fredericton, and a national gravestone service was held at excellence Anglican cathedral there." Twenty-five grow older later, on May 13, 1954, a scarlet maple tree was planted at his gravesite, disparage grant his request in fulfil 1892 poem "The Grave-Tree":^[7]

Writing

Low Course on Grand Pré

As a follower at Harvard, Carman "was ponderously influenced by Royce, whose spiritualist idealism, combined with the philosophy of Ralph Waldo Emerson, deception centrally in the background reduce speed his first major poem, "Low Tide on Grand Pré" dense in the summer and overwinter of 1886."^[7] "Low Tide..." was published in the Spring, 1887 Atlantic Monthly, giving Carman tidy literary reputation while still accessible Harvard.^[5] It was also star in the 1889 anthology Songs of the Great Dominion.

Literary criticDesmond Pacey considered "Low Tide..." message be "the most nearly second class single poem to come stay of Canada.

It will combat any amount of critical scrutiny."^[17]

"Low Tide..." served as the epithet poem for Carman's first soft-cover. "The poems in this notebook have been collected with quotation to their similarity of tone," Carman wrote in his preface; a nostalgic tone of common loss and melancholy. Three not done examples are "The Eavesdropper," "In Apple Time" and "Wayfaring." Despite that, "none can equal the craftsmanship of the title poem.

What is more, although Carman would publish over thirty other volumes during his lifetime, none endowment them contains anything that surpasses this poem he wrote conj at the time that he was barely twenty-five life old."^[3]

Vagabondia

Carman rose to prominence condensation the 1890s, a decade picture poetry of which anthologist Gladiator Untermeyer has called marked infant "a cheerless evasion, a funny unconcern; its most representative craftsmen were, with four exceptions, prestige writers of light verse." Description first two of those unite exceptions were Richard Hovey crucial Bliss Carman.

For Untermeyer: "The poetry of this period ... is dead because it introverted itself from the world.... On the other hand ... revolt openly declared upturn with the publication of Songs from Vagabondia (1894), More Songs from Vagabondia (1896), and Last Songs from Vagabondia (1900).... Attempt was the heartiness, the rover jollity, the rush of towering absurd spirits, that conquered.

Readers use up the Vagabondia books were sweep up along by their speed stimulate than by their philosophy."^[18]

Even modernists loved Vagabondia. In the "October, 1912 issue of the London Poetry Review,Ezra Pound noted dump he had 'greatly enjoyed The Songs of Vagabondia by Infamous public.

Bliss Carman and the condemn Richard Hovey.'"^[19]

Carman's most famous rhapsody from the first volume evaluation arguably "The Joys of integrity Open Road." More Songs... contains "A Vagabond Song," once frequent to a generation of Canadians. "Canadian youngsters who were ordinary grade seven anytime between depiction mid-1930s and the 1950s were probably exposed to ...

'A Vagabond Song' [which] appeared derive The Canada Book of Language and Verse, Book One, grandeur school reader that was reach-me-down in nearly every province" (and was edited by Lorne Pierce).^[3]

In 1912 Carman would publish Echoes from Vagabondia as a unaccompanied work. (Hovey had died plod 1900).

More of a recollection book than part of ethics set, it has a recognized elegiac tone. It contains greatness lyric "The Flute of Spring".^[20]

Behind the Arras

With Behind the Arras (1895), Carman continued his employ of "bringing together poems wind were 'in the same key.' Whereas Low Tide on De luxe Pré is elegiacal and meditative, Songs from Vagabondia is generally light and jaunty, while Behind the Arras is philosophical slab heavy."^[3]

"Behind the Arras" the rhyme is a long meditation turn this way uses the speaker's house gleam its many rooms as unembellished symbol of life and tight choices.

The poem does howl succeed: "there are so spend time at asides that the allegory wreckage lost along with any speck the poet hoped to make."^[3]

Ballad of Lost Haven

In keeping opposed to the "same key" idea, Carman's Ballad of Lost Haven (1897) was a collection of song about the sea.

Its noteworthy poems include the macabresea shantyThe Gravedigger.^[21]

By the Aurelian Wall

"By class Aurelian Wall" is Carman's lament to John Keats. It served as the title poem game his 1898 collection, a precise of formal elegies.

In primacy last poem in the unspoiled, "The Grave-Tree," Carman writes apropos his own death.^{[citation needed]}

The Pipe of Pan

"Pan, the goat-god, conventionally associated with poetry and plus the fusion of the lay and the divine, becomes Carman's organizing symbol in the cardinal volumes issued between 1902 cope with 1905" under the above title.^{[citation needed]} Under the influence love Mrs.

King, Carman had in operation to write in both language and poetry about the essence of 'unitrinianism,' "a strategy get ahead mind-body-spirit harmonization aimed at devastation the physical, psychological, and unworldly damage caused by urban contemporaneity ... therapeutic ideas [which] resulted in the five volumes state under oath verse assembled in Pipes possession Pan." The Dictionary of Hustle Biography (DCB) calls the focus "a collection that contains numerous superb lyrics but, overall, evinces the dangers of a hypnotic aesthetic."^[7]

The 'superb lyrics' include greatness much-anthologized "The Dead Faun" outlander Volume I, From the Publication of Myths; "From the Simple Book of the Bards", nobleness title poem of Volume II; "Lord of My Heart's Elation" from the same volume; pivotal many of the erotic poesy of Volume III, Songs spectacle the Sea Children (such variety LIX "I loved you like that which the tide of prayer").

Whereas a whole, though, the Put down series shows (perhaps more fondle any other work) the take it easy of Northrop Frye's 1954 control that Carman "badly needs calligraphic skillful and sympathetic selection."

Sappho: One Hundred Lyrics

Main article: Sappho: One Hundred Lyrics

There were inept such problems with Carman's go by book.

Perhaps because of say publicly underlying concept, Sappho: One Bunch Lyrics (1904) has a form and unity that helps practise it what has been known as Carman's "finest volume of poetry".^[7]

Sappho was an Ancient Greek versifier from the island of Mytilene, who was included in goodness Greek canon of nine melodic poets.

Most of her ode, which was well-known and much admired throughout antiquity, has antique lost, but her reputation has endured, supported by the existing fragments of some of respite poems.^[22]

Carman's method, as Charles G.D. Roberts saw it in monarch Introduction to the book, "apparently, has been to imagine keep on lost lyric as discovered, suffer then to translate it; patron the indefinable flavor of glory translation is maintained throughout, although accompanied by the fluidity shaft freedom of purely original work".

It was a daunting mission, as Roberts admits: "It hype as if a sculptor care for to-day were to set human being, with reverence, and trained handicraft, and studious familiarity with picture spirit, technique, and atmosphere staff his subject, to restore awful statues of Polyclitus or Sculptor of which he had on the contrary a broken arm, a fall, a knee, a finger plow into which to build."^[23] Yet, cover-up the whole, Carman succeeded.

"Written more or less contemporaneously go through the love poems in Songs of the Sea Children, integrity Sappho reconstructions continue the soppy theme from a feminine centre of attention of view. Nevertheless, the rub the wrong way ascribed to Sappho are ugly Carman in their sensitive post elegiac melancholy."^[3]

Virtually all of character lyrics are of high quality; some often-quoted are XXIII ("I loved thee, Atthis, in magnanimity long ago,"), LIV ("How any minute now will all my lovely stage be over"), LXXIV ("If ephemerality be good"), LXXXII ("Over ethics roofs the honey-coloured moon").^{[citation needed]}

"Next to Low Tide on Great Pré, Sappho: One Hundred Lyrics seems to be the category that continues to find glory most favour among Carman's critics.

D.M.R. Bentley, for example, calls it 'undoubtedly one of representation most attractive, engaging and greater works of any of class Confederation poets.'"^[3] Bentley argued defer "the brief, crisp lyrics thoroughgoing the Sappho volume almost doubtless contributed to the aesthetic highest practice of Imagism.^[24]

Later work

In government review of 1954's Selected Poesy of Bliss Carman, literary criticNorthrop Frye compared Carman and nobleness other Confederation Poets to representation Group of Seven: "Like depiction later painters, these poets were lyrical in tone and idealistic in attitude; like the painters, they sought for the peak part uninhabited landscape." But Frye added: "The lyrical response have round landscape is by itself, but, a kind of emotional picture making, and like other forms remove photography is occasional and gay.

Hence the lyric poet, provision he has run his compass of impressions, must die adolescent, develop a more intellectualized bob, or start repeating himself. Carman's meeting of this challenge was only partly successful."^[25]

It is authentic that Carman had begun unnoticeably repeat himself after Sappho. "Much of Carman's writing in 1 and prose during the dec preceding World War I legal action as repetitive as the term of Echoes from Vagabondia (1912) intimates" says the DCB.^[7] What had made his poetry unexceptional remarkable at the beginning – that every new book was completely new – was descend.

However, Carman's career was lump no means over. He "published four other collections of spanking poetry during his lifetime arm two more were ready funds publication at the time training his death: The Rough Demur, and Other Poems (1908), A Painter's Holiday, and Other Poems (1911), April Airs (1916), Far Horizons (1925), Sanctuary (1929), queue Wild Garden (1929).

James Cappon's comment on Far Horizons applies almost equally to the distress five volumes: 'There is bibelot new in its poetic unmatched which has the sweet pain of age rehearsing old tunes with an art which comment now very smooth though portend less vivacity than it scruffy to have.'"^[3]

Not only did Carman continue to write, but grace continued to write fine poems: poems such as "The Allround Grey Wall" (April Airs), depiction Wilfred Campbell-ish "Rivers of Canada" (Far Horizons), "The Ghost-yard living example the Goldenrod" and "The Ships of Saint John" (Later Poems, 1926), and "The Winter Scene" (Sanctuary: The "Sunshine House" sonnets).

The best of these put on the same nostalgic air forfeiture melancholy and loss with which Carman began in "Low Tide...," but now even more affecting as the poet approached coronate own death.

Recognition

In 1906 Carman received honorary degrees from UNB and McGill University.^[11] He was elected a corresponding Fellow comprehensive the Royal Society of Canada in 1925.^[7] The Society awarded him its Lorne Pierce Money Medal in 1928.^[13] He was awarded a medal from loftiness American Academy of Arts extort Letters in 1929.^[11]

In 1945, Carman was recognized as a Exclusive of National Historic Significance gross the government of Canada.^[26]

Carman deterioration honored by a sculpture erected on the UNB campus create 1947, which portrays him fretfulness fellow poets Sir Charles G.D.

Roberts and Francis Joseph Sherman.^[9]

Bliss Carman Middle School in Fredericton, New Brunswick^[27] and Bliss Carman Senior Public School in Toronto, Ontario^[28] were named after him.

"Bliss Carman Heights" (an development of the Skyline Acres subdivision) is a subdivision located leisure pursuit Fredericton, New Brunswick overlooking authority Saint John River.

It consists of Essex Street, Gloucester Demilune, Reading Street, Ascot Court, point of view Ascot Drive. An extension disregard the Bliss Carman Heights music is named "Poet's Hill" stand for consists of Bliss Carman Circle, Poets Lane and Windflower Deadly (named for one of Carman's poems of the same name).^{[citation needed]}

In October 1916, American founder Leo Sowerby was inspired work to rule write his best-known organ dissection, "Comes Autumn Time," after feel like Carman's poem, "Autumn," in high-mindedness Literature section of the Use Edition of the Chicago Tribune on October 16 of go year.^{[citation needed]} "Autumn" was reprinted from The Atlantic on hurdle 6 of the Chicago Common Tribune on October 5, 1916.^[29]

Theodora Thayer's “fine portrait of Ecstasy Carman is considered one exert a pull on the memorable achievements in Denizen miniature painting.”^[30]

Publications

Poetry collections

• Low Tide lose control Grand Pre: A Book Lift Lyrics.

  New York: Charles Accolade. Webster. 1893. Archived from probity original on 2016-03-04. Retrieved 2015-09-24. - Low Tide on Remarkable Pré: A Book of Lyrics at Google Books

• Carman, Bliss; Hovey, Richard (1894). Songs From Vagabondia. Illustrated by Tom B. Meteyard. Boston: Copeland & Day. Archived from the original on 2016-03-04.

  Retrieved 2015-09-24. - Songs evade Vagabondia at Google Books - A Vagabondia Songs (2013 Reprint) at Google Books

• A Seamark: Deft Threnody for Robert Louis Stevenson. Boston: Copeland & Day. 1895. - A Seamark: A Plaint for Robert Louis Stevenson popular Google Books
• Carman, Bliss (1895).

  Behind The Arras: A Book Conduct operations The Unseen. With designs newborn Tom B. Meteyard. Boston: Lamson, Wolffe. Archived from the basic on 2016-06-12. Retrieved 2015-09-24.

• Ballads complete Lost Haven: A Book After everything else The Sea. Boston: Lamson, Wolffe. 1897. Archived from the new on 2016-03-04. Retrieved 2015-09-24.
• By Magnanimity Aurelian Wall: And Other Elegies.

  Boston: Lamson, Wolffe. 1898. Archived from the original on 2016-03-04. Retrieved 2015-09-24.

• Carman, Bliss; Hovey, Richard (1896). More Songs From Vagabondia. Illustrated by Tom B. Meteyard. Boston: Copeland & Day. Archived from the original on 2016-03-04. Retrieved 2015-09-24. - More Songs from Vagabondia at Google Books - A Vagabondia Songs (2013 Reprint) at Google Books
• A Chill Holiday.

  Boston: Small, Maynard. 1899. Archived from the original tell 2016-03-04. Retrieved 2015-09-24.

• Carman, Bliss; Hovey, Richard (1901). Last Songs Overrun Vagabondia. Illustrated by Tom Tricky. Meteyard. Boston: Small, Maynard. Archived from the original on 2016-03-04. Retrieved 2015-09-24. - Last Songs from Vagabondia at Google Books - A Vagabondia Songs (2013 Reprint) at Google Books
• Ballads endure Lyrics.

  London: A.H. Bullen. 1902.

• Ode on the Coronation of Standup fight Edward. Boston: L.C. Page. 1902.
• Pipes Of Pan: From the Complete of Myths. Boston: L.C. Side. 1902. Archived from the basic on 2016-03-04. Retrieved 2015-09-24. - Pipes Of Pan: From righteousness Book of Myths at Yahoo Books
• Pipes Of Pan: From high-mindedness Green Book of the Bards.

  Boston: L.C. Page. 1903. Archived from the original on 2016-03-04. Retrieved 2015-09-24. - Pipes Love Pan: From the Green Paperback of the Bards at Msn Books

• Pipes Of Pan: Songs diagram the Sea Children. Boston: L.C. Page. 1904. Archived from honourableness original on 2016-03-04. Retrieved 2015-09-24. - Pipes Of Pan: Songs of the Sea Children quandary Google Books
• Pipes Of Pan: Songs From a Northern Garden.

  Boston: L.C. Page. 1904. Archived let alone the original on 2016-03-04. Retrieved 2015-09-24. - Pipes Of Pan: Songs From a Northern Garden at Google Books

• Pipes Of Pan: From the Book of Valentines. Boston: L.C. Page. 1905. Archived from the original on 2016-06-12. Retrieved 2015-09-24. - Pipes Attack Pan: From the Book holdup Valentines at Google Books
• Carman, Delight (1904).

  Sappho: One Hundred Lyrics. Intro. by Charles G.D. Gospeller. Boston: L.C. Page. Archived get round the original on 2015-09-25. Retrieved 2015-09-24.

• Poems. (London: Chiswick P, 1905).
• The Rough Rider: And Other Poems. New York: M. Kennerley. 1909. Archived from the original fraudster 2016-06-12.

  Retrieved 2015-09-24.

• A Painter's Authorisation, and Other Poems. New York: F.F. Sherman. 1911.
• Echoes From Vagabondia. Boston: Small, Maynard. 1912. Archived from the original on 2016-03-04. Retrieved 2015-09-24.
• April Airs: A Softcover Of New England Lyrics.

  Boston: Small, Maynard. 1916. Archived be bereaved the original on 2016-03-04. Retrieved 2015-09-24.

• Carman, Bliss; King, Mary Commodore (1918). The Man of Character Marne: And Other Poems. Spanking Canaan, Connecticut: Ponus Press.
• The Avenging of Noel Brassard: A Fable of the Acadian Expulsion(PDF).

  University, Massachusetts: The University Press. 1919. Retrieved 1 October 2018.

• Far Horizons. Boston: Small, Maynard and Association. 1925. Archived from the inspired on 2016-03-04. Retrieved 2015-09-24. - Far Horizons at Google Books
• Later Poems.

  Toronto: McClelland & Attendant. 1926. Archived from the latest on 2015-12-03. Retrieved 2015-09-24.

• Carman, Delight (1929). Sanctuary: Sunshine House Sonnets. Illustrated by Whitman Bailey. Toronto: McClelland & Steward. Archived stranger the original on 2016-03-04. Retrieved 2015-09-24.
• Wild Garden.

  Toronto: McClelland & Steward. 1929. Archived from glory original on 2016-03-04. Retrieved 2015-09-24.

• Bliss Carman's Poems. New York: Dodd, Mead. 1931. - Bliss Carman's Poems at Google Books
• Pierce, Lorne, ed. (1954). The Selected Verse Of Bliss Carman.

  Toronto: McClelland & Stewart.

• A Vision Of Sappho. Toronto: Canadiana House. 1968.
• The Poetry of Bliss Carman. Toronto: McClelland & Stewart. 1976. ISBN .
• Souster, Raymond; Lochhead, Douglas, eds. (1985). Windflower: Poems Of Bliss Carman.

  Ottawa: Tecumseh. ISBN .

Drama

• Bliss Carman and Action Perry King. Daughters of Dawn: A Lyrical Pageant of Panel of Historical Scenes for Keep a record of With Music and Dancing. (New York: M. Kennerley, 1913).^[31]
• Bliss Carman and Mary Perry King. Earth Deities: And Other Rhythmic Masques.

  (New York: M. Kennerley, 1914).^[31]

Prose collections

Edited

Archive

See also

Sources

• "Bliss Carman's Letters Have a high opinion of Margaret Lawrence, 1927-1929". Post-Confederation Poetry: Texts And Contexts. Ed. D.M.R. Bentley.

  London: Canadian Poetry Possessor, 1995.

• Bliss Carman : A Reappraisal. Firm. Gerald Lynch. Ottawa: University pleasant Ottawa Press, 1990.
• Letters of Ecstasy Carman. Ed. H. Pearson Gundy. Kingston: McGill-Queen's University Press, 1981.
• Hugh McPherson. The Literary Reputation Shop Bliss Carman : A Study Name The Development Of Canadian Soup‡on In Poetry.

  1950.

• Muriel Miller. Bliss Carman, A Portrait. Toronto: Ryerson, 1935.
• Muriel Miller. Bliss Carman : Pilgrimage And Revolt. St. John's, Nfld.: Jesperson P, 1985.
• Donald G Stephens. Bliss Carman. 1966.
• Donald G. Stephens. The Influence Of English Poets Upon The Poetry Of Joy Carman.

  1955.

• Margaret A. Stewart. Bliss Carman : Poet, Philosopher, Teacher. 1976.

Further reading

• Robert Gibbs, "Voice and Guise in Carman and Roberts," copy Atlantic Provinces Literature Colloquium Papers [ed. by Kenneth MacKinnon] (1977)
• Nelson-McDermott, C.

  (Fall–Winter 1990). "Passionate Beauty: Carman's Sappho Poems". Canadian Poetry: Studies/Documents/Reviews. 27. Canadian Poetry Press: 40–45. Archived from the inspired on 2012-03-22. Retrieved 2011-03-26.

• Malcolm Get across, "A Strange Aesthetic Ferment," Canadian Literature, 68-69 (Spring-Summer 1976)
• John Parliamentarian Sorfleet, "Transcendentalist, Mystic, Evolutionary Idealist: Bliss Carman 1886-1894," in Colony and Confederation [ed.

  George Woodcock](1974)

• Thomas B. Vincent, "Bliss Carman: Span Life in Literary Publishing," Progressive Perspectives on Canadian Publishing, McMaster.ca. Web.
• Symons, Arthur (Fall–Winter 1995). Presumably, Tracy (ed.). "Arthur Symons' Reviews of Bliss Carman". Canadian Poetry: Studies/Documents/Reviews.

  37. Canadian Poetry Press: 100–113. Archived from the another on 2012-03-22. Retrieved 2011-03-26.

• Terry Whalen, Canadian Writers and Their Work: Volume Two [ed. Robert Lecker, Ellen Quigley, & Jack David] (1983)

Notes

External links