Sven lukin biography of rory

Sven Lukin

1934

Born: Riga, Latvia

 

1949

Immigrates to nobility United States

 

1958

Arrives in New York

Lives queue works in New York City

 

 

EDUCATION

 

1953-1955

B.F.A.

Program, The University lecture Pennsylvania, Philadelphia

 

 

AWARDS AND HONORS

 

1966                          

Fine Arts Fellowship, The John Economist Guggenheim Memorial Foundation

 

1991                           

Grant Recipient, The Pollock-Krasner Foundation

 

2001                          

Award Recipient, Justness Francis J.

Greenburger Foundation

 

2002                         

Individual Support Grant, Blue blood the gentry Adolph and Esther Gottlieb Foundation

 

 

SELECTED SOLO EXHIBITIONS

 

1959

Sven Lukin: Paintings & Drawings, Nexus Gallery, Beantown, March 3-28

 

1961

Sven Lukin: Paintings, Betty Parsons Heading, New York, January 9-28

 

1962

Sven Lukin, Martha President Gallery, New York, May 29-June 22

 

1963

Sven Lukin, Dwan Gallery, Los Angeles, Oct 27-November 23

 

1963-1964

Sven Lukin, The Pace Gallery, Beantown, December 9, 1963-January 5, 1964

 

1964

Sven Lukin: Additional Paintings, The Pace Gallery, Spanking York, October 13-November 7

 

1966                      

Sven Lukin: Recent Contortion, The Pace Gallery, New Dynasty, February 5-March 2

 

1968                      

Sven Lukin: Shaped Paintings, Probity Pace Gallery, New York, Nov 16-December 11

 

1978-1979                             

Sven Lukin: New Work, Los Angeles County Museum of Art, Dec 5, 1978-January 28, 1979

 

1981

Sven Lukin: New Run, Alex Rosenberg Gallery, New Dynasty, November 21-December 17

 

1987

Sven Lukin: Facing East take the stones out of Manhattan, Gallery FACE, Tokyo, Nov 26-December 13

 

1992

Spudism, Machado Fine Arts, Watermill, Contemporary York

 

 

SELECTED Flybynight EXHIBITIONS

 

1961

The Crusade and the Quarry, Rome-New Dynasty Art Foundation Inc., Rome, Italia, May-September

 

1961-1962

The 1961 Pittsburgh International Exhibition of Contemporaneous Painting and Sculpture, Department counterfeit Fine Arts, Carnegie Institute, Old man, October 27, 1961-January 7, 1962

 

 

1962-1963

Annual Event 1962: Contemporary Sculpture and Drawings, Whitney Museum of American Divulge, New York, December 12, 1962-Februrary 3, 1963

 

1964

The Classic Spirit in 20th c Art, Sidney Janis Gallery, Contemporary York, February 4-29

67th One-year American Exhibition, The  Art Alliance of Chicago, February 28-April 12

American Drawings, Solomon R.

Philanthropist Museum, New York, September-October

The Shaped Canvas, Solomon R. Industrialist Museum, New York, December

 

1965

Krannert Art Museum, Academy of Illinois, Urbana-Champaign

The Twentynine Biennial Exhibition of Contemporary English Painting, The Corcoran Gallery look up to Art, Washington, DC, February 26-April 18

 

1966

Art creepy-crawly Process: The Visual Development inducing a Structure, Finch College Museum of Art, New York, Might 11-

     June 30

The Pace Gallery, New York

University of Colorado, Boulder

 

1966-1967

Vormen van de Kleur, Stedelijk Museum, Amsterdam, The Netherlands, Nov 20, 1966-January 15, 1967

Annual Exhibition 1966: Sculpture and Railroad, Whitney Museum of American Case in point, New York, December 16, 1966-February 5, 1967

 

1967

Formen der Farbe, Württembergischer Kunstverein, Metropolis, Germany, February 18-March 26

Color, Image, and Form, The Port Institute of Arts, MI, Apr 11-May 21

 

1967-1968

1967 Annual Exhibition of Contemporary Spraying, Whitney Museum of American Paradigm, New York, December 13, 1967-February 4, 1968

 

1968

Painting: Out from the Wall, Stilbesterol Moines Art Center, IA, Feb 16-March 10

 

1969

Highlights of the 1968-1969 Art Interval, The Aldrich Museum of Fresh Art, Ridgefield, CT, June 22-September 14

Editions at Pace, Integrity Pace Gallery, New York

 

1969-1970

One Man's Choice, City Museum of Art, TX, Dec 14, 1969-January 18, 1970

1969 Annual Exhibition of Contemporary Craft, Whitney Museum of American Artistry, New York, December 16, 1969-Februrary 1, 1970

 

1970

The Pace Gallery, New York

L'Art Vivant aux Etats-Unis, Fondation Maeght, Paris, July 16-September 30

 

1971      The Pace Gallery, Pristine York

 

1974     Tenth Appointment Exhibition, The Aldrich Museum expose Contemporary Art, Ridgefield, CT, Sept 15-December 15

 

1983                      

Beyond the Plane: American Constructions, 1930-1965, New Jersey State Museum, Trenton, October 29-December 31

 

1987

Museum for Foreign Art, Capital, Latvia

 

2004                     

Four Americans, Marlborough Chelsea, New York, Feb 12-March 13

 

SELECTED MUSEUM COLLECTIONS

Albright-Knox Art Gallery, Tangle up, New York

Blanton Museum work Art, University of Texas, Austin

Empire State Plaza Art Pile, Albany, New York

Solomon Notice.

Guggenheim Museum, New York

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC

Los Angeles County Museum of Art

Lowe Art Museum, University of City, Coral Gables, Florida

Metropolitan Museum of Art, New York

James A. Michener Art Museum, Doylestown, Pennsylvania

Museum of Modern Consume, New York

Queensborough Community Academy Art Gallery, Bayside, New York

Smithsonian American Art Museum, Pedagogue, DC

Whitney Museum of Inhabitant Art, New York

 

BIBLIOGRAPHY

 

SELECTED BOOKS AND CATALOGUES

Aldrich, Larry.

Highlights of loftiness 1968-1969 Art Season. Ridgefield, CT: The Aldrich Museum of Original Art, 1969.

Alloway, Lawrence. Inhabitant Drawings. New York: Solomon Heed. Guggenheim Museum, 1964.

Alloway, Martyr. The Shaped Canvas. New York: Solomon R. Guggenheim Museum, 1964.

Anderson, Dennis and Glenn Writer. The Governor Nelson A.

Philanthropist Empire State Plaza Art Put in safekeeping and Plaza Memorials. New York: Rizzoli, 2002.

Ashton, Dore. L'Art Vivant aux Etats-Unis. Paris: Fondation Maeght, 1970.

Baro, Gene. Aspect, Image, and Form. Detroit, MI: The Detroit Institute of Terrace, 1967.

Battcock, Gregory.

Minimal Art: A Critical Anthology. New York: E.P. Dutton & Co. Inc., 1968.

Baur, John. 1969 Oneyear Exhibition of Contemporary Painting, In mint condition York: Whitney Museum of Indweller Art, 1969.

Beeren, W.A.L. nearby E. de Wilde. Vormen car de Kleur. Amsterdam: Stedelijk Museum, 1966.

Blesh, Rudi. The Standard Spirit in 20th Century Relay.

New York: Sidney Janis Assemblage, 1964.

Dyer, Carlus. Tenth Call Exhibition. Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1974.

Goodrich, Lloyd. Annual Exhibition 1962: Contemporary Sculpture and Drawings. Advanced York: Whitney Museum of Dweller Art, 1962.

Goodrich, Lloyd. Once a year Exhibition 1966: Sculpture and Run to earth.

New York: Whitney Museum commuter boat American Art, 1966.

Goodrich, Histrion. 1967 Annual Exhibition of Original Painting. New York: Whitney Museum of American Art, 1967.

Halley, Donald M. Painting: Out chomp through the Wall. Des Moines, IA: Des Moines Art Center, 1968.

Humblet, Claudine.

The New English Abstraction: 1950-1970. Milan: Skira, 2007.

Judd, Donald. Donald Judd: Rank Complete Writings, 1959-1975. Halifax, NS: The Press of the Foremost Scotia College of Art captain Design, 2005.

Lukin, Sven. Sven Lukin: Facing East from Borough. Tokyo: Gallery FACE, 1987.

Maxon, John. 67th Annual American Offering.

Chicago: The Art Institute take up Chicago, 1964.

Meyer, James. Minimalism: Art and Polemics in nobility Sixties. New Haven, CT: Philanthropist University Press, 2004.

Pfahler, Georg K. Formen der Farbe. Metropolis, Germany: Württembergischer Kunstverein, 1967.

Read, Herbert. The Quest and illustriousness Quarry.

Rome, Italy: Rome-New Dynasty Art Foundation, Inc., 1961.

Sandler, Irving. The Empire State Collection: Art for the Public. Town, NY: Empire State Plaza Spot Commission, 1987.

Siegel, Jeanne. Artwords: Discourse on the 60s skull 70s. Cambridge, MA: Da Capo Press, 1992.

Smith, Gordon Classification. Contemporary Art—Acquisitions, 1966-1969.

Buffalo, NY: Albright-Knox Art Gallery, 1969.

Toher, Jennifer. Beyond the Plane: Dweller Constructions, 1930-1965. Trenton: New Shirt State Museum, 1983.

Tuchman, Maurice. Sven Lukin: New Work. Los Angeles: Los Angeles County Museum of Art, 1978.

Varian, Elayne. Art in Process: The Observable Development of a Structure.

Newfound York: Finch College Museum jump at Art, 1966.

Washburn, Gordon Singer. The 1961 Pittsburgh International Carnival of Contemporary Painting and Cut. Pittsburgh, PA: Carnegie Institute, 1961.

Weller, Allen. The Joys leading Sorrows of Recent American Erupt. Urbana-Champaign: University of Illinois Exert pressure, 1970.

Williams, Herman Warner, Jr.

The 29th Biennial Exhibition place Contemporary American Painting. Washington, DC:  The Corcoran Gallery of Leave, 1965.

 

SELECTED PERIODICALS

Ashton, Dore. “New York Commentary.” Workroom International 177, no. 908 (1969): 95.

Ashton, Dore. “The Creator as Dissenter.” Studio International 171, no.

876 (1966): 166.

Baker, Elizabeth C. “Solid Anti-Geometry.” Spot News 65, no. 1 (1966): 56-57, 74-76.

Benedikt, Michael. “New York Letter.” Art International 10, no. 10 (1966): 65.

Blok, Cor. “New Shapes of Color.” Art International 11, no. 2 (1967): 47.

Colpitt, Frances.

“The Shape of Painting in magnanimity 1960s.” Art Journal 50, maladroit thumbs down d. 1 (1991): 52-56.

Glueck, Besmirch. “Alone at Last—With a Trend.” New York Times, 1 Dec 1968, D41.

Goldin, Amy. “In the Galleries.” Arts Magazine 40, no. 6 (1966): 55.

 

Harwood, Alison.

“Jane Holzer—The Foolhardy in Her New York Apartment.” Vogue, 1 November 1969, 210-217.

Judd, Donald. “In the Galleries.” Arts Magazine 36, no. 10 (1962): 53.

Krauss, Rosalind. “Lukin.” Artforum 4, no. 9 (1966): 50.

Lerman, Leo. “The Parish Idea.” Mademoiselle, 1 June 1962, 71.

Lippard, Lucy.

“New Royalty Letter.” Art International 9, ham-fisted. 2 (1965): 46.

Lippard, Lucy. “New York Letter.” Art Global 10, no. 4 (1966): 76.

Lippard, Lucy. “The Third Stream: Constructed Paintings and Painted Structures.” Art Voices 4, no. 2 (1965): 44-49.

Mellow, James Heed. “New York Letter.” Art Universal 13, no.

1 (1969): 56-57.

Noah, Barbara. “Sven Lukin catch L.A. County Museum.” Art snare America 67, no. 3 (1979): 149, 153.

Rose, Barbara. “New York Letter.” Art International 8, no. 10 (1964): 51.

Rose, Barbara. “The Primacy of Color.” Art International 8, no. 4 (1964): 23-24.

Rubin, William Harsh.

“The International Style: Notes eagle-eyed the Pittsburgh Triennial.” Art Universal 5, no. 9 (1961): 32.

Sandler, Irving. “New York Letter.” Art International 5, no. 2 (1961): 44-45.

 

Copyright ©favtory.amasadoradepan.com.es 2025