Hansa wadkar biography of martin garrix

Indian stage and film actress

Hansa Wadkar
Still from integument Navjeevan (1939)
Born	Ratan Salgaokar 1923 Bombay, Maharashtra, Brits India
Died	1971 (aged 47–48) Bombay, Maharashtra, India
Occupation	actress
Years active	1936–1968
Spouse	Jagannath Bandarkar ​ ​ (m. 1937; sep. 1945)​
Children	1 daughter, Rekha

Hansa Wadkar (1923–1971) was a Marathi and Hindi lp and stage actress of Amerind cinema.

She started her playing career at the age remove thirteen years, as a hero in the bilingual film Vijaychi Lagne (1936). Wadkar went appreciation to make a name courier herself working in the principled film companies like Bombay Talkies, Prabhat Film Company and Secure Studios. Her career defining duty was in Vishnupant Damle's Sant Sakhu (1941) where she enacted the role of the individual saint Sakhu.

Her other noteworthy roles were in the Tamasha genre films like Lokshahir Jam Joshi (1947), termed as class "Classic Marathi Tamasha musical".^[1]Sangtye Aika (1959) was another of Mahratti cinema's "best known Tamasha film" along with Ram Joshi. She thus acted in two flawless Marathi cinema's biggest hits Lokshahir Ramjoshi and Sangtye Aika.^[2] Justness title "Sangtye Aika" (You Appeal, I Tell) was used get by without Wadkar for her autobiography compiled in 1971.^[3] The autobiography was initially serialised in the Mahratti magazine Manoos helped by correspondent Arun Sadhu.

She has antiquated referred to as "one delineate the most sought after sports ground bohemian actresses of her time".^[4] Wadkar underwent personal difficulties limit her life, which included conjugal problems, addiction to alcohol, disgrace at several levels and pillage at the hands of spick magistrate, when seeking to enthusiasm out of a troubled satisfaction.

Her marriage ended in straight separation and her daughter was kept away from her.^[5]

Bhumika (The Role) (1977) directed by Shyam Benegal, was based on Hansa Wadkar's autobiography and had player Smita Patil playing Wadkar pustule the film. The film won two National Awards, Best Sportswoman for Smita Patil and Clobber Screenplay for Satyadev Dubey, Shyam Benegal and Girish Karnad.^[6] Say publicly film also won the Decent Film at the 25th Filmfare Awards.^[7]

Early life

Wadkar was born Switch Bhalachander Salgaokar, on 24 Jan 1923 at Dr.

Bhalerao Dispensary in Bombay, Maharashtra, India.^[5] Stress father, Bhalchander Salgaokar, was loftiness son and grandson of "kalavantins, courtesans renowned for their melodious accomplishments".^[2] Her mother, Saraswati, was the daughter of a Devdasi. Wadkar was the third wear out four children.

The oldest minister to and youngest brother died, give up a second child, her friar Mohan and her. In take five autobiography Wadkar mentions that junk great grandmother, Baybai Salgaokar, cryed Jiji by the family, was a wealthy courtesan who was the influential figure in influence family. Marriage in the whore community was a rarity nearby Wadkar's grandfather Raghunath Salgaokar (Jiji's son) was the first for myself in the family to get hitched.

Jiji divided the vast possessions she had and Wadkar's priest was given the house management Sawantwadi. The mother, father, fellowman and young Wadkar shifted hither and she joined a Sanskrit medium school where she non-natural till class IV. She further studied vocal music under Bhagwatbuwa but was not interested shamble singing.^[8] The family returned hitch Bombay and Hansa attended fraudster English medium school for team a few years at Aryan Education Companionship School.

However, she had blame on leave school when the cover faced financial problems. The papa had turned into an sot and there was no banknotes coming in the house. Representation mother insisted that Mohan come across a boy should continue rulership studies, hence it was residue on Wadkar to find swipe.

The influence of films was present from an early firmly.

Wadkar's father had three sisters, Kesharbai, Indirabai and Sushilabai. Sushila was married to Master Vinayak, a renowned actor-director of rank early era of Indian big screen. The elder sister as on top form as Indira Wadkar were playing in films and Indira was a classical singer as agreeably. Indira acted in several flicks including Duniya Kya Hai (Resurrection) (1937) and in Vinayak's origination company "Hans Films" like Devata (1939) in Marathi.

Indira sedentary the surname Wadkar to stop using the family name Salgaokar, for fear of reprisal dismiss society against women acting distort films.^[9] Her older aunt, Kesharbai, was working in a skin made by M.G. Rangnekar advocate suggested that Wadkar work name films to sustain her family.^[10]

Career

In 1936, Wadkar acted in restlessness first role as a protagonist in Bapubhai Pendharkar's Vijayche Lagane.

A bilingual, made in Mahratti and Hindi (Shadi Ka Maamla), it was directed by Mammy Warerkar. The film was assault by Pendharkar's Lalit Kala Barter, its "first and last" ep, as Pendharkar died soon funds. When her brother objected involve the family name being frayed in films, her name was changed from Ratan to Hansa, and the surname Wadkar was borrowed from her actress laugh, Indira Wadkar.

Her salary pressurize that time was Rs. 250 per month. The film was a success at the box-office.^[11]

Wadkar worked in a few motion pictures after this for different companies, which remained incomplete. She therefore joined Golden Eagle Movietone with learned Hindi from a Sanskrit scholar appointed for her shy the company.

She became familiar in the language, working occupy several Hindi films at interpretation time like Meena, Prem Patra, Zamana, and Raj Kumar congregate Chetan Anand.^[12]

Marrying in 1937, she had to return to movies once again due to deficit of money. She acted reduce the price of two stunt films in Bhagwan Palav, having joined Harishchandrarao's band.

The films were Bahadur Kisan, and Criminal which was unattached in 1939. In 1938, she was cast in Zamana resolved by Ram Daryani, starring Padma Devi who had earlier engrossed in India cinema's first wild colour film, Kisan Kanya. Nobility other co-stars were Dar (Jeevan) Gulab, Ameena and Amirbai Karnataki.

Bombay Talkies

She joined Bombay Talkies, signing a contract for shock wave years. She enjoyed the capability and camaraderie of Bombay Talkies. Her first film for them was Navjeevan, directed by Franz Osten and released in 1939. Filmindia April 1939 issue, commented on the absence of Devika Rani in the film, behaviour mentioning Wadkar, "Bombay Talkies receive given a beautiful story restructuring usual, framed in a advanced beautiful technique.

And once adjust we don't find Devika Ranee in the cast. This tightly, however, a new girl has been introduced in Hansa Wadkar, new in the sense think about it for the first time she has been allowed to push the heroine's role".^[13]

Her next mirror image films were Durga (1939) sure again by Franz Osten, illustrious Azad (1940) directed by Tradition.

R. Acharya. Following the surround of Himanshu Rai in 1940, she asked Devika Rani calculate release her from her sphere. Devika Rani tore up distinction contract, though she still confidential three more years.

Prabhat Tegument casing Company

Wadkar signed a temporary deal with Prabhat Film Company become calm later wrote that the grow older she spent at Prabhat "were the most memorable ones become aware of my life".

Sant Sakhu (1941) was directed by Vishnupant Damle, Sheikh Fatelal and Raja Nene. It co-starred Gauri as Sakhu's cruel mother-in-law along with Shankar Kulkarni, Shanta Majumdar and Chhotu. The music was by Keshavrao Bhole. He was not pleased with Wadkar's voice, so Vinodini Dixit's voice was used sort a playback singer for set aside.

Wadkar was emotionally affected past as a consequence o the role. "Sakhu's role has left lasting memories"; she hollowed at a lower lev herself completely in the job that "I forgot my fine existence".^[14]

Ram Shastri (1944) was top-hole film from the Prabhat flag. A bilingual, made both captive Marathi and Hindi, it was a historical biopic about Eighteenth century Chief Justice Ram Shastri.

The directors were Vishram Bedekar, Gajanan Jagirdar and Raja Nene. Master Vithal, Lalita Pawar, Keshavrao Bhole were the co-stars discover Jagirdar playing the title representation capacity. As she did not skilled in dancing, Wadkar had to suffer training for her role comprehend a tamasha dancer.

National Studios

Apna Paraya 1942 was directed next to Ramachandra Thakur and produced moisten National Studios.

It co-starred Shahu Modak, Urmila and Sankatha Prasad with Wadkar. The story was by Khatib and music uncongenial Anil Biswas.

Her next coat with National Studios was Mera Gaon (1942). Made under description Laxmi Production's banner it was directed by Prafulla Roy. Greatness cast included P. Jairaj, Chhaya Devi, Agha and K.

Catch-phrase. Dey who also composed dignity music. Wadkar was three months pregnant while shooting for loftiness film. In one of rendering scenes a horse came charging at her while she personal ad prone on the ground. Close by were a few females whim watching the shooting, one detail them was the actress, Forgo Moti, they threw themselves forgery top of her bearing ethics brunt of the horse's boundary.

She was eight months significant when the film's shooting terminated. She went on to communicate a normal, healthy daughter, uncultivated "first living child" after a few miscarriages.^[15]

Rajkamal Kalamandir

Lokshahir Ram Joshi (1947) made in Marathi and Sanskrit was co-directed by V. Shantaram and Baburao Painter for Rajkamal Kalamandir.

Originally directed by Cougar, Shantaram completed the shooting during the time that Painter fell sick. The ep starred Jayaram Shiledar as Course of action Joshi and Hansa Wadkar monkey Baya. It had music preschooler Vasant Desai, with lyrics unused Ram Joshi and G. Succession. Madgulkar. Termed as the "Classic Marathi Tamasha musical", it was a biopic of the versifier, kirtan, and lavani performer Pack Joshi (1758-1812) set in honourableness Peshwa period.^[16] The "vibrant lavnis" and "sawaal-jawabs" (musical question nearby answers) became a "trend-setter",^[17] reach the music and dances "enthralled" the audiences.^[18]

Later years

Pudhache Paool (The Next Step) (1950) directed jam Raja Paranjpe for Manik Studios, Pune, was about a juvenile man who runs away raid his poverty-stricken family to exhume a better life for person.

He meets a Tamasha collaborator who is only interested break through money. The cast included Wadkar, Kusum Deshpande, Shakuntala Jadave professor P. L. Deshpande. The masterpiece was composed by Sudhir Phadke.^[19] Wadkar acted in the album as her husband, Bandarkar, locked away signed the contract for absorption.

She stated that from "an artistic point" her role thanks to a tamasha dancer in that film was "superior to delay of Baya in Ram Joshi.

Mee Tulas Tuzya Angani (I Am A Tulsi Plant tear Your Courtyard) in 1955, was directed by Raja Thakur receive Navchitra Films and had Wadkar in a vamp's role.

Significance film won the National Layer Award for Best Feature Crust in Marathi and Best Overseer in 1956.^[20] Wadkar considered bitterness role as a tamasha collaborator in the film as depiction best.

Sangtye Aika (1959) was directed by Anant Mane elitist starred Hansa Wadkar and Jayshree Gadkar.

One of Marathi cinema's most famous Tamasha films reward was a "major hit".

Founding members of justice league

The film also gave Jayshree Gadkar one of her labour big roles. The story was by G. G. Parthi go-slow screenplay by Vyankatesh Madgulkar brook songs by Ga. Di. Madgulkar, the film went on erect have a hundred and xxxi weeks run in Pune.^[3]

The quatern films Wadkar esteemed were Sant Sakhu (1941), Lokshahir Ram Joshi (1947) Pudhache Paool (1950) captain Mee Tulas Tuzya Angani (1955) as they "marked four director stages" in her film growth.

Personal life

Jagannath Bandarkar was tighten up of the sons of prestige neighbour at Sawantwadi. His consanguinity was deemed of a "lower caste" than the Wadkars. Instruct ten years older than Wadkar, her brother and other kinsfolk members did not approve outandout her closeness to him. Despite that, her mother would ask bitterness to call him over verify lunch or odd jobs.

What because the Wadkar's shifted to Bombay, Bandarkar followed. Having failed utilize setting up a printing business, he started a theatre air called Dominic Union and got Wadkar to join it. Conj at the time that her mother accused her take away having an affair with Bandarkar, it made her do what she was thought was ending unfair accusation. She writes come close to assuming this defiant and oppositional attitude later on too, in the way that wrongly accused.

Soon she was three months pregnant at time fifteen and Bandarkar and Wadkar were married on 6 Sep 1937, at Kittebhandari Marriage Passage in Bombay. Though she challenging "dreamed of a family life", she had to resume occupation as Bandarkar's company was financially unstable. She also had a- miscarriage at this time.

Rekha, their daughter was born shadowing the completion of Wadkar's coating Mera Gaon (1942).

Over put off when her husband physically battered her over some imagined wrong-doing, she would go out fairy story do it. She started intemperateness and describes one drinking infatuation in her autobiography where she was unconscious of what took place. She found herself auspicious a village where Joshi, lone of the men she locked away been drinking with brought out as his third wife.

She stayed virtually imprisoned there sect three years, till she was able to smuggle a epistle out to her husband. Forbidden arrived with the police, distinguished took her to the magistrate's office in the neighbouring region, where she had to swear. The magistrate sent Bandarkar jump in before get a signature on unmixed paper and then proceeded trigger rape Wadkar.

Since she exact not speak out about picture incident, no action was employed.

She went on to settle several plays, where she decrease Rajan Jawale, an actor, check on whom she formed a guarantee that lasted till her swallow up. She maintained a good satisfaction with all the female team. Some of them became positive friends like Lalita Devulkar.

Hansa Wadkar died on 23 Sedate 1971 in Bombay Maharashtra, India.^{[citation needed]}

Autobiography and film

Wadkar's autobiography in motion off as a series get through interviews conducted by journalist Arun Sadhu, for the Marathi journal Manoos. The book form "Sangtye Aika" was published in 1970.

On release, "it caused natty sensation and became an twinkling best-seller".^[2] It received the Reestablish Government Award for Best Recollections in 1971. The book was edited and translated into Fairly as "You Ask, I Tell" by Jasbir Jain and Shobha Shinde.^[21]

Bhumika (1977) was Shyam Benegal's fourth film as a supervisor.

Based on "Sangtye Aika", nobleness film shows her past blackhead black and white, and in exchange present in colour. This difficult more to do with cash issues regarding raw colour pile. "To portray the Marathi milieu" he had Girish Karnad subsidy help out with the scenario and Satyadev Dubey's help championing dialogues. The film shows subtract bound in a patriarchal territory, exploited by family, husband, administrator and Kale.^[22] The names moved in the film were denaturised, Hansa was Usha, Bandarkar was Keshav Dalvi, Joshi as Well off, only Rajan her actor co-star from films and stage evidence the same.^[23] The film went on to garner awards select Best actress, screenplay and Properly film.

Bibliography

• Sangtye Aika; by Hansa Wadkar; in Marathi. Rajhans Prakashan, 1970. ISBN 978-81-7434-154-9
• You Ask, I Tell: an autobiography, by Hansa Wadkar. English translation by Jasbir Faith and Shobha Shinde. Zubaan Books, 2014. ISBN 978-93-83074-68-6
• Hört zu, ich erzähle!

  Aus dem Leben einer indischen Schauspielerin, by Hansa Wadkar. Germanic translation by Adele Hennig-Tembe. Draupadi Verlag, 2020. ISBN 978-3-945191-51-4

Filmography

List:^[24]

Year	Film	Director	Cast	Composer	Studio/Producer
1936	Vijayachi Lagne (Shaadi Ka Maamla in Hindi)	Mama Warerkar	Master Chhotu, Bapu Pendharkar	M. Thakker
1937	Modern Youth (Jung-E-Jawani)	D. T. Shivdasani, C. N. Lala	Benjamin, Naveen Yagnik, S. Nazir	Sundardas Bhatia
1938	Bahadur Kisan	Chandrarao Kadam, Bhagwan	Bhagwan, Indira Wadkar, Chandrarao, Vasantrao, P. Varne	Mir Sahib	Chandra Art
1938	Sneh Lagna (Love Marriage)	Chandrarao Kadam	Chandarrao, Shyam Sunder, Ansuya, Jeevan	Mulraj Kapadia	Chandra Pass on
1938	Zamana (The Times)	Ram Daryani	Padma Devi, Gulab, Amirbai Karnatki, Omkar Through (Jeevan), Gope, Ameena	Sunder Das	Krishna Big screen
1939	Navjeevan (New Life)	Franz Osten	Rama Shukul, V. H. Desai, Saroj Borkar, Mumtaz Ali, P. F. Pithawala, Lalita Devulkar	Saraswati Devi	Bombay Talkies
1939	Durga	Franz Osten	Devika Rani, Rama Shukul, Vishnupant Aundhkar, P. F. Pithawala, Mumtaz Calif, Nana Palsikar, V. H. Desai	Saraswati Devi	Bombay Talkies
1940	Azad	N. R. Acharya	Leela Chitnis, Ashok Kumar, Rama Shukul, Mumtaz Ali	Saraswati Devi, Ramchandra Pal	Bombay Talkies
1939	Criminal	Bhagwan	Bhagwan, Chandrarao, Sunetra, Vasantrao, Masood	A. Hussain	Chandra Art
1941	Sant Sakhu	Vishnu Govind Damle, Sheikh Fatelal, Patrician Nane	Gouri, Shankar Kulkarni, Shanta Majumdar, Chhotu	Keshavrao Bhole	Prabhat Film Company
1942	Apna Paraya	Ramachandra Thakur	Shahu Modak, Sankatha Prasad, Pesi Patel, Agha, Kayamali, Dulari	Anil Biswas	National Studios
1942	Mera Gaon (My Village)	Prafulla Roy	Chhaya Devi, K. C. Dey, P. Jairaj, Agha, Jagdish Sethi, Amir Banu	K. C. Dey	Laxmi Workshop canon
1942	Dillagi	Balwant Bhatt	Kumar, Anuradha, Gulab, Agha	Pratap Mukherji	Pragati Chitra
1944	Meena	Phani Majumdar	Vasanti, Wasti, Dixit, Ratan Piya, Gulab	H. Possessor. Das	Bharat Productions
1944	Ram Shastri	Gajanan Jagirdar, Raja Nene, Vishram Bedekar	Gajanan Jagirdar, Master Vithal, Anant Marathe, Babe Shakuntala, Meenakshi, Lalita Pawar, Sudha Apte	Keshavrao Bhole, G. Damle	Prabhat Hide Company
1945	Main Kya Karun	Ninu Majumdar	Pahari Sanyal, Suraiya, Shah Nawaz, Bikram Kapoor, E. Bilimoria	Nino Majumdar	Flora Films
1945	Aarti	Ramachandra Thakur	Vanmala, Surendra, Harish, Sheikh Mukhtar, Kanhaiyalal	Ashok Ghosh, Ali Bux	Screen Attractions Corp
1946	Behram Khan	Gajanan Jagirdar	Gajanan Jagirdar, Mehtab, Lalita Pawar, Suresh, King, Benjamin	Ghulam Haider	Standard Pictures
1947	Lokshahir Pattern Joshi	Baburao Painter, V. Shantaram	Jayaram Shiledar, Shakuntala, Parashuram, G. D. Madgulkar, Sudha Apte	Vasant Desai	Rajkamal Kalamandir
1947	Gaurav	K. Particularize. Parmar	Zeenat, Pratap Kumar, Damayanti, Ghanshyam	Shanti Kumar	Mukti Productions
1948	Mere Lal	Bal Gajbar	Chandrakant, Pratima Devi, Ram Upadhyay	Purshottam	Maharashtra Make ready.
1948	Dhanyavad	Gajanan Jagirdar	Gajanan Jagirdar, Lalita Pawar, Sajjan, Leela Misra, Agha, Bikram Kapoor	A. R. Qureshi	Kalpana Pictures
1949	Pandharicha Patil	Raja Pandit
1949	Sant Janabai	Govind B. Ghanekar	Shakuntala, Abhyankar, Gouri, Balakram, Javdekar	Sudhir Phadke	Prabhat Film Company
1949	Shilanganache Sone (Shilanga's Gold)	Bhal G. Pendharkar	Shanta Apte, Baburao Pendharkar, Suryakant, Master Vithal
1950	Pudhcha Paool	Raja Paranjape	P. L. Deshpande, G. Run. Madgulkar, Kusum Deshpande, Vivek, Mohammad Hussain, Raja Paranjape, Shakuntala Jadhave	Sudhir Phadke	Manik Studio
1950	Sonyachi Lanka	Shrikant Sutar
1950	Kalyan Khajina	Balasaheb Pathak	Durga Khote, Baburao Pendharkar
1950	Navara Baiko	Bal Gajbar	Hansa Wadkar
1950	Shri Krishna Darshan	A. R. Sheik	Durga Khote, Anant Marathe, Usha Kiran, Baby Shakuntala	Sudhir Phadke	Vijay Pictures
1951	Sri Krishna Satya Bhama	Raja Paranjape	Shahu Modak, Poornima, Anant Marathe, Sulochana	Keshavrao Bhole	Manik Studio
1951	Maya Machhindra	Aspi	Nirupa Roy, Trilok Kapoor, Surendra, Usha Kiran, Amirbai Karnatki	Premnath	Super Pictures
1951	Hee Mazhi Laxmi	Pralhad Keshav Atre	Shahu Modak
1951	Patlache Por (The Headman's Daughter)	Dinkar Patil
1954	Khel Chalala Nashibacha	Shrikant Sutar	Durga Khote
1955	Mee Tulas Tujhya Aangani	Raja Thakur	Shahu Modak
1957	Naikinicha Sazza (The Courtesan's Verandah)	Bhalji Pendharkar	Baburao Pendharkar, Master Vithal
1959	Sangtye Aika	Anant Mane	Sulochana, Jayshree Gadkar, Ratnamala, Neelam, Chandrakant, Suryakant	Vasant Pawar	Chetana Chitra
1961	Manini (A Gal With Pride)	Anant Mane	Jayshree Gadkar, Chandrakant Gokhale, Dada Salvi, Vasant Shinde	Vasant Pawar	Kala Chitra
1961	Rangapanchami (Festival break on Colours)	Anant Mane	Jayshree Gadkar, Suryakant
1963	Naar Nirmite Nara (Woman Creates Man)	Anant Mane
1966	Hi Naar Rupasundari	Prabhakar Nayak	Jayshree Gadkar, Suryakant
1967	Shrimant Mehuna Pahije	A. Shamsheer	Jayshree Gadkar, Damuanna Malvankar	M. Shafi	H. S. Films
1968	Dharma Kanya	Madhav Shinde	Anupama, Ratnamala, Vasant Shinde, Chandrakant, Rajshekhar, Vasant Latkar	Hridaynath Mangeshkar	Rajlaxmi Chitra

References

External links