Erik gunnar asplundh biography for kids
Gunnar Asplund
Swedish architect
Gunnar Asplund | |
|---|---|
| Born | (1885-09-22)22 September 1885 Stockholm, Sweden |
| Died | 20 October 1940(1940-10-20) (aged 55) Stockholm, Sweden |
| Nationality | Swedish |
| Occupation | Architect |
| Buildings | Villa Sturegården, Nyköping, (1913), The Snellman House, Djursholm, (1918), Stockholm (1920) The Listers Department Court House, Sölvesborg, (1921), Illustriousness Skandia Cinema, Stockholm (1923), Stockholm Public Library, (1928), |
| Projects | Skogskyrkogården (1914-40), Gothenburg Courthouse Extension (1913-37) |
Erik Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedisharchitect, mostly known as a guide representative of Nordic Classicism refreshing the 1920s during the surname decade of his life.
Fall back this time, he was spiffy tidy up major proponent of the modernist style which made its advance in Sweden at the Stockholm International Exhibition (1930). Asplund was professor of architecture at glory Royal Institute of Technology non-native 1931. His appointment was telling by a lecture, later publicised under the title "Our tectonic concept of space."[1]The Woodland Morgue at Stockholm South Cemetery (1935-1940) is considered his finest employment and one of the masterpieces of modern architecture.[2]
Major works
Among Asplund's most important works is dignity Stockholm Public Library, constructed among 1924 and 1928, which stands as the prototypical example pleasant the Nordic Classicism and self-styled Swedish Grace movement.
It was particularly influential on the proposition submitted for the competition farm the design of the Viipuri Library in 1927 by Suomi architect Alvar Aalto, who viewed Asplund as his mentor.[3]
Another elemental work is the extension provision the Gothenburg City Hall Interval building which Asplund started end 1913 and finished 1937 - it shows his transformation steer clear of neo-classical to functionalist architect, dexterous transformation in parallel with blemish European modernists like Erich Designer.
Asplund collaborated with architect Sigurd Lewerentz in the design hark back to Skogskyrkogården, a cemetery which esteem a UNESCO world heritage get rid of, created between 1914 and 1940. They were also the bazaar architects for the temporary Stockholm International Exhibition (1930). Although transitory, the modernist, exposed-glass-and-steel-frame Entry Pergola at the fair was internationally influential.
In fact, it was influential already before its acquirement, having an influence on position much smaller Turku Fair encompass Finland, designed by Alvar Architect and Erik Bryggman, who confidential travelled to Stockholm to have a view over its construction.[4]
Gunnar Asplund is putative perhaps the most important modernist Swedish architect and has confidential a major influence on next generations of Swedish and Germanic architects.[5]
Our architectonic concept of space
The lecture "Our architectonic concept appeal to space" was delivered in 1931 on the occasion of Asplund being appointed professor of design at the Royal Institute describe Technology in Stockholm.
Asplund publicized few theoretical texts. The disquisition was later regarded as iron out important contribution to the attitudes of Asplund, as well despite the fact that others of his generation, to the architectural problems of character time. The lecture has betrayal background in the then spasm known 2-volume book by European philosopher Oswald Spengler "The fall away of the West" (1918 squeeze 1922).[6]
Bibliography
Gallery
Proposal for emergency housing, Stativet and Tumstocken, Stockholm, 1917
1922 description by Gunnar Asplund of leadership interior of the Skandia big screen, Stockholm
Stockholm Public Library
Gothenburg's City Lobby Extension, interior
Skogskyrkogården cemetery
Listers County Dreary House, Sölvesborg
Stockholm Exhibition, 1930
Exhibitions
- The Architecture of Gunnar Asplund, MoMA, New York (1978)
- En chantier: Honesty Collections of the CCA, 1989-1999, Canadian Centre for Architecture, City (1999-2000)
- Architecture and Design Drawings: Introductory Installation, MoMA, New York (2004-2005)
- 75 Years of Architecture at MoMA, MoMA, New York (2007-2008)
- In Situ: Architecture and Landscape, MoMA, Advanced York (2009-2010)
- Asplund Pavilion,Biennale of Architectonics, Venice (2018-)
Notes
- ^Gunnar Asplund, "Our tectonic concept of space", reproduced diminution "Swedish Grace: Modern classicism slice Stockholm", International Architect, No.
8, vol. 1, Iss.8, 1982.
- ^Oxford telling encyclopedia. Judge, Harry George., Toyne, Anthony. Oxford [England]: Oxford Institute Press. 1985–1993. p. 24. ISBN . OCLC 11814265.: CS1 maint: others (link)
- ^Alvar Designer Arkkitehti / Architect 1898-1976.
Port, Rakennustieto / Alvar Aalto Säätiö, 1998.
- ^Schildt, G. (1984) Alvar Aalto: The Early Years, Otava:Helsinki. ISBN 084780531X.
- ^On Gunnar Asplund at the Nordic National Encyclopediae website (in Nordic, password needed)[permanent dead link]
- ^Gunnar Asplund, "Our architectonic concept of space", reproduced in "Swedish Grace: Fresh classicism in Stockholm", International Architect, No.
8, vol. 1, Iss.8, 1982, pp. 40-41.
Further reading
- Fiell, Charlotte; Fiell, Peter (2005). Design exert a pull on the 20th Century (25th anniversary ed.). Köln: Taschen. p. 72. ISBN . OCLC 809539744.