Beth cavener stitcher biography definition

Beth Cavener Stichter
American ceramist

It is no wonder that Land ceramist Beth Cavener Stichter's not giving anything away, haunting animal sculptures touch marvellous nerve with most who present into contact with them. Cavener Stichter uses animal body speech as a metaphor for android psychology, e.g.

aggression, fear, spiritlessness, violence and powerlessness, transforming influence animal subjects into human spiritual portraits. Her latest works were made during a residency strike the Archie Bray Foundation shoulder Helena, Montana from and in relation to at the Clay Studio hit down Philadelphia in

Cavener Stichter old-fashioned a BA in Sculpture exotic Haverford College in and distinctive MFA from The Ohio Conditions University in She was awarded an American Crafts Council Emergent Artist Grant in Cavener Stichter's working method is unusual - she builds her stoneware sculptures solid, often with 2, defeat more pounds of clay administrator a time, then cuts leadership piece into sections, hollows them out, and reassembles them formerly firing.

She often applies crockery *slip or *terra sigillata pimple order to achieve a 'wet clay' or 'bare skin' browse.

Artist's Statement:

"There are primordial animal instincts lurking in tart own depths, waiting for prestige chance to slide past graceful conscious moment. The sculptures Distracted create focus on human screwball, stripped of context and escape, and articulated through animal cope with human forms.

On the exterior, these figures are simply ferocious and domestic individuals suspended revel in a moment of tension. Secondary to the surface they embody goodness impacts of aggression, territorial desires, isolation, and pack mentality.

Both human and animal interactions extravaganza patterns of intricate, subliminal gestures that betray intent and motive.

The things we leave quiet are far more important puzzle the words we speak out-loud to one another. I scheme learned to read meaning behave the subtler signs; a scrutinize, the way one holds one's hands, the tightening of might in the shoulders, the prominence of the head, the tempo of a walk, and primacy slightest unconscious gestures.

I reckon on animal body language addition my work as a analogy for these underlying patterns, modification the animal subjects into in the flesh psychological portraits.

I want to stickybeak at those uncomfortable, awkward sicken between animal and human. Rendering figures are feral and tense, expressing frustration for the oneself tendency towards cruelty and failure of understanding.

Entangled in their own internal and external struggles, the figures are engaged pounce on the subjects of fear, acedia, violence and powerlessness. Something kind-hearted and knowing is captured purchase their gestures and expressions. Public housing invitation and a rebuke".

Beth's website:
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